Wednesday, August 28, 2013

What to Expect for the First Essay

In the first essay you write in class, you will be expected to demonstrate the following:

  • ability to compose an engaging, intelligent introduction, in which you clear identify the work(s) that will be the focus of your discussion
  • definite thesis statement
  • clear transitions
  • adequate, specific examples that are related and explained from the work(s) which support your thesis
  • an analysis of a literary element in a short story--or two; NOT a story summary
  • a conclusion that brings the paper to a graceful close and leaves a positive impression on the reader
  • length: a minimum of two and a half pages, typed, double-space
  • NO use of first or second person in the essay

EXAMPLE:

Setting is an important literary element, often over-looked, though directly related to the characters and plot of a story. In what way does setting play a significant role in the action of William Faulkner's "A Rose for Emily" and Andre Dubus's "Killings"?

Characters are often revealed by direct characterization (telling), but more often by indirect characterization (showing). Provided examples from both  William Faulkner's "A Rose for Emily" and Andre Dubus's "Killings" that illustrate each type of characterization.

In many simplistic stories, characters have little depth; the main character is either "good" or "bad" and his/her actions make it easy for the reader to empathize with him. However, in both William Faulkner's "A Rose for Emily" and Andre Dubus's "Killings," the protagonist is a murderer, yet the reader has a difficult time disliking Miss Emily or Matt Fowler. How does each author succeed in making his character sympathetic to the reader?

Symbols are important to many stories, often used to emphasize another element of the story, including character. Explain how Faulkner uses Miss Emily Grierson's house as a symbol for its occupant and how Andre Dubus uses eyes in his revelation of character in "Killings."


IN PLANNING THE ESSAY:
  • choose the topic you can best support, not the one you like the best
  • jot down ideas; review the story; re-read sections that will help you; make note of those
  • find concrete, specific examples; DO NOT BE VAGUE!!
  • understand that in the first paragraph, you may need to elaborate on the literary term, before going into the story
  • the first time the author's name is used, refer to him/her by her complete name; afterwards, use only the last name.
  • refer to characters as they are in the story; (example: "Miss Emily")

MLA Format

  Last Name #



Your First and Last Name

Mrs. Sharon Aiken

English 1102

Date Due

Title

          ALL of  your essays, both in class and out of class, hand-written and composed on a 

keyboard, are to be submitted in MLA format, which includes a header, approximately one 

half-inch from the top on the right hand side, with your name and page number. (Pages should 

be numbered consecutively throughout the paper.)  Double space and provide the heading of  

four lines (see the example above), on the left-had side of the page. Double space and give 

the title. DO NOT bold-faced, italicize, underline, enlarge, or in any other way embellish the title. 

The title should NOT be the title of a story; you did not write the story; you are writing about the 

story; thus, the title of the story may be used in the title of your paper, but it cannot stand alone. 

Look in your text for examples The title should be in the same plain 12 pt. font as the paper

The entire paper should be double-spaced, in one of most frequently used, plain fonts. The font 

should NOT be in script.

If you are unfamiliar with MLA format, refer to Purdue OWL - MLA Formatting and Style Sheet  or your text for assistance.

Wednesday, August 21, 2013

Too Lazy to Read? Listen to the Story

A reading of "A Rose for Emily" can be found at this link:

http://www.miettecast.com/2008/06/01/a-rose-for-emily/

You do need to know that it is read by a British female. Since it is a story set in the American South, there is a kind of incongruous juxtaposition between story and speaker, but she does a good job, nevertheless. Read it or listen to it, as you wish; just be ready to discuss it next class.

Week 1 - Day 2




Questions over the syllabus?????

Down to business of LITERARY TERMS and story analysis:

Plot - 72
Character - 114
Setting - 162
Pt. of View - 181
Symbolism - 227
Theme - 250
Style, Tone, Irony - 271

Also, the Bedford/StMartin's text has a website to help you with terms, if needed: Bedford Online Resources - available via the link here or on the sidebar.

PLOT - what happens in the story
traditional "plotting" vs. untraditional (for lack of a better term) - also very much like a Shakespearean tragedy
Terms: exposition; rising action; climax or turning point; falling action; resolution or denouement.
EXAMPLE: "The Flowers" by Alice Walker
Additional terms dealing with plot:
  • in medias res - EXAMPLE: "Popular Mechanics"
  • foreshadowing - EXAMPLE: par. 5 in "The Flowers" - note the shift/change in tone
  • protagonist
  • antagonist
Who is the protagonist in "Popular Mechanics"? The antagonist? Point of view comes into play here. 
conflict  . . . of the various types -- man against a) man; b) fate; c) environment; d) society; e) himself --  the one that many authors feel is of great importance is ________.

 ". . . the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat." ~ William Faulkner
(Part of the reason that this is such an important quote is because you'll be reading a story by Faulkner for next Monday, "A Rose for Emily." Keep the quote in mind and ask yourself which characters in that story seem to be conflicted with themselves.)


CHARACTER - 114
characterization: direct (telling) and indirect (showing)
Additional means authors use to characterize:
  • names are sometimes a clue to characterization--either directly--Chilllingworth/ Pearl from The Scarlet Letter 
  • physical description
  • words/actions of others who respond to them
  • thoughts of the characters
In order to be considered a realistic character, he/she must be:
  • adequately motivated in their actions
  • plausible
  • consistent
Additional terms for character:
  • dynamic vs. static character
  • foil
  • flat character
  • stock character
SETTING - 163:  time, place & social environment
Setting may or may not be significant to the story
may evoke mood or atmosphere

In which stories that you read for today is SETTING vitally important? In what way? Does setting help determine the action of the characters? 




Monday, August 19, 2013

55 Miles to the Gas Pump by E. Annie Proulx

55 Miles to the Gas Pump by E. Annie Proulx
the short story, in its entirety; found on page 450, in the text


Rancher Croom in handmade boots and filthy hat, that walleyed cattleman, stray hairs like curling fiddle string ends, that warm-handed, quick-foot dancer on splintery boards or down the cellar stairs to a rack of bottles of his own strange beer, yeasty, cloudy, bursting out in garlands of foam, Rancher Croom at night galloping drunk over the dark plain, turning off at a place he knows to arrive at a canyon brink where he dismounts and looks down on tumbled rock, waits, then steps out, parting the air with his last roar, sleeves surging up windmill arms, jeans riding over boot tops, but before he hits he rises again to the top of the cliff like a cork in a bucket of milk.

Mrs. Croom on the roof with a saw cutting a hole into the attic where she has not been for twelve years thanks to old Croom's padlocks and warnings, whets to her desire, and the sweat flies as she exchanges the saw for a chisel and hammer until a ragged slab of peak is free and she can see inside: just as she thought: the corpses of Mr. Croom's paramours - she recognizes them from their photographs in the paper: MISSING WOMAN - some desiccated as jerky and much the same color, some moldy from lying beneath roof leaks, and all of them used hard, covered with tarry handprints, the marks of boot heels, some bright blue with the remnants of paint used on the shutters years ago, one wrapped in newspaper nipple to knee.

When you live a long way out you make your own fun.

Sunday, August 18, 2013

Syllabus

Middle Georgia State College - Department of English - Fall 2013
English 1102
Instructor: Sharon Aiken – H/SS 248 - Office phone: 478-471-2893
Office hours:  M/W: WRC: 2-3 p.m.; T/TH: H/SS 248: 2-5 p.m.

Email: sharon.aiken@maconstate.edu - Use your Macon State email. I check and respond to my Macon State email, Monday-Thursday and on Sunday evenings.  I expect you to do likewise, because I use email for class announcements or changes in the class schedule. 
Website:   aikenenglish1102fall2013.blogspot.com

Required Prerequisites: A minimum grade of C is required in ENGL 1101 before a student may take English 1102.

MGSC and MGSC English Dept. Policy Statements:

30-Hour Rule: In accordance with Board of Regents policy, students must complete ENGL 1101 and
ENGL 1102 before earning thirty hours of course credit.

Exit Requirements: All students must complete ENGL 1101 with a grade of A, B, or C to proceed to
ENGL 1102 and to receive Area A1 credit.

Regents Exemption: Students who complete both ENGL 1101 and ENGL 1102 with grades of A, B, or C have fulfilled the University System of Georgia Regents Reading and Writing Requirements.

Supplemental Instruction: ENGL 0099A Basic Writing and Grammar and ENGL 099B Essays and
Advanced Grammar are Learning Support classes that students may elect to take along with ENGL
1101 or in preparation for ENGL 1101.

MGSC Academic Misconduct Statement: As a Middle Georgia State College student and as a student in this class, you are responsible for reading, understanding, and abiding by the MGSC Student Code of Conduct. The Student Code of Conduct is included in the MGSC Student Handbook and is available online at  http://www.mga.edu/student- affairs/docs/MGSC_Student_Handbook.pdf.

Policy on Disability Accommodations: “Students seeking academic accommodations for a special need must contact Middle Georgia State College Office of Disability Services  in Macon at (478) 471-2985 or  in Cochran at  (478) 934-3023.  Students may also visit the Disability Services Office in room 266 of the Student Life Center on the Macon campus or in Sanford Hall on the Cochran campus.”

Attendance Policy: This class follows the guidelines established by MGSC as follows:  Students whose number of absences is more than twice the number of class meetings per week [4] may be assigned a failing grade for the course at the discretion of the instructor. Students who have more absences than the number of class meetings per week, but less than twice the number of class meetings per week, may be penalized at the discretion of the instructor. Students who have absences which are less than or equal to the number of class meetings per week will not be penalized.” In addition, if you know you will be absent when a paper is due, submit your paper in advance. If you are ill and unable to come to class when a paper is due, be prepared to submit a doctor’s excuse, as well as your paper, upon return to class. (If a member of your immediate family has a health condition requiring your absence from class, remember:  that is still an absence.  [English 1101 and 1102 have been known to cause sprains, eczema, dandruff, sudden seizures of unknown origins, hospitalizations, broken bones, accidents, and the plague. Students and their families are most susceptible one to two days before a paper deadline.] Do your work, plan ahead and protect yourself and your loved ones.)
Withdrawal Policy: “ Students may withdraw from the course and earn a grade of “W” up to and including the midterm date, which occurs on [date].   After midterm, students who withdraw will receive a grade of “WF.” The MGSC Withdrawal Form, which is available online or in the Office of the Registrar, must be signed by the instructor in advance of withdrawal.
Plagiarism Policy: If you cheat on a test, you will get a zero. If you plagiarize an assignment, that grade will result in a zero. Failing this course is the common penalty for plagiarism; it is difficult to achieve a passing grade, if one receives a zero on a plagiarized assignment. Plagiarism occurs when a writer uses the ideas, wording, organization, etc., of another writer without proper citation, whether intentional or unintentional. This includes having someone “help” you write the paper, buying the paper online, or lifting ideas, sentences, and/or paragraphs from another text. Keep an electronic copy of all assignments and be prepared to send it to me immediately if asked. Please go to the MSC Library site for further information on avoiding plagiarism. Note:
A plagiarism prevention service is used in the evaluation of written work submitted for this course. As directed by the instructor, students are expected to submit their assignments, or have their assignments submitted, through the service in order to meet the requirements for this course. The papers may be retained by the service for the sole purpose of checking for plagiarized content in future student submissions.

Required Texts:  Meyers, Michael. The Compact Bedford Introduction to Literature

Required Material: 
  • jump drive - All in-class work is on computer; out of class papers will need to be composed and saved in either Ms Word or .rtf format. All work needs to be saved electronically.
  • pocket folder for research essay
  • half-inch binder in which all work may be kept and submitted at the end of the semester

Purpose of the Class:  English 1102 is an introduction to literature that continues the writing principles studied in English1101. ENGL 1102 introduces students to the three basic genres of literaturefiction, drama, and poetrytheir conventions, and associated literary terms, with some introduction to critical approaches. ENGL 1102 students are asked to respond to literary works with essays that not only analyze themes, but also analyze literary techniques.


Student Learning Objectives - Upon successful completion of ENGL 1102, students will be able to:
·      


 
   demonstrate a collegiate competency to read critically and communicate ideas in well- developed written forms (MGSC General Education Learning Goal A1 [Communications]), read and respond to various texts for purposes of interpretation, analysis, synthesis, evaluation and judgment
·          have a working knowledge of literary terms and understand the effect of narrative, dramatic, and poetic conventions upon meanings,
·          use recursive processes that include collecting information, focusing, ordering, drafting, revising, and editing,
·          demonstrate the techniques and skills of research, integration of source material, and documentation.
·          use conventions of writing mechanics, usage, and style to communicate effectively for the given audience, purpose, and format (guidelines recommended by the Board of Regents Advisory Committee on English).

Course/ Essay Requirements:
Students must write four or more essay-length papers. They should write on each of the three genres studied. At least one of the four essays must require students to incorporate library research into their writing following the MLA style. One essay must be an in-class writing. The four (4) required essays must comprise at least 50% of the course grade for ENGL 1102.

Definition of Plagiarism:

The following definition of plagiarism expands upon the Student Code’s description of plagiarism and has been adopted as standard by the English Department. For further explanation and illustrations, refer to the English Department’s A Definition of Plagiarism,” available online at http://www.mga.edu/liberal-arts/english.

1. It is plagiarism to copy another’s words directly and present them as your own without quotation marks and direct indication of whose words you are copying.  All significant phrases, clauses, and passages copied from another source require quotation marks and proper acknowledgment, down to the page number(s) of printed texts.

2. It is plagiarism to paraphrase another writers work by altering some words but communicating the same essential point(s) made by the original author without proper acknowledgment.  Though quotation marks are not needed with paraphrasing, you must still acknowledge the original source directly.

3. Plagiarism includes presenting someone else’s ideas or factual discoveries as your own.  If you follow another persons general outline or approach to a topic, presenting anothers original thinking or specific conclusions as your own, you must cite the source even if your work is in your own words entirely.  When you present anothers statistics, definitions, or statements of fact in your own work, you must also cite the source.

4. Plagiarism includes allowing someone else to prepare work that you present as your own.

5. Plagiarism applies in other media besides traditional written texts, including, but not limited
to, oral presentations, graphs, charts, diagrams, artwork, video and audio compositions, and other electronic media such as web pages, PowerPoint presentations, and online discussion postings.

Midterm Deadlines and Portfolios:
  • Students should have at least two graded essays returned to them before the semester’s withdrawal deadline.
  • At the end of the semester, all essays are to be filed for one full semester. After one semester, instructors may allow students to pick up their papers.

Final Examination:

The final examination in English 1101 is a two-hour essay written in response to class reading. Students may take notes on the reading using a 3 by 5 note card. This card may not contain any full sentences, with the exception of documented quotes from the readings. In class, the students will be given a choice of at least two topics based on the reading. The student will write on one of these options: he or she will not have access to the readings or to grammar handbooks, but the student may use his or her note cards, a dictionary, and a thesaurus. The final exam essay should reflect knowledge of the readings, but mere summary of the readings will not be acceptable. Any additional instructions for the final exam will be provided by the instructor. The final exam must count for 20 % of the students final grade.

Grading Scale:

Grade
Average
A
90-100 / Excellent Work
B
80-89/Good Work
C
70-79/Satisfac tory Work
D
60-69/Unsatisfactory
F
< 60/ Failing

Class Policies:
1.       Please be on time; if you drive a distance to get here, plan accordingly. There are times we are all tardy, but being in class, ready to work says a great deal about your serious attention to this class and does not go unnoticed.
2.       Assignments are to be handed in on time, typed. Writing on class computers is part of the class; there will be both in-class and out-of-class essays.  Title all assignments and use MLA format.
3.       If a hard copy of the paper is not handed in on time, in class, the date that it is due, you may email a copy of the paper, WITH PENALTIES :
a) you will automatically forfeit a letter grade off the paper
b) that essay may not be graded until the end of the semester, which is when I grade all late work
c) if it is the first or second essay, you will not have an opportunity to revise the essay for a higher grade.  
4.       Students have the option of revising the first and second essays with the following stipulations:
a.       The students makes time to conference with me on the mistakes noted in the paper
b.      The original essay and rubric must be handed in with the revised essay
c.       If the only edits made to the paper are for grammar/mechanics/corrections , the grade will remain the same (the student has only copied and corrected)
d.      Substantive revisions could gain the student as much as one letter grade
5.       I will NOT accept a research paper late or via email.
6.       If you plan to print out of class essays in class, please attend to them it in the first 10 min. of class. Do NOT plan to revise, or retype your paper when you come to class—this should be done on your own.
7.       IF YOU USE ANY WORD PROCESSING PROGRAM OTHER THAN MS WORD, SAVE YOUR PAPER AS AN .rtf  (Rich Text Format) file.  Your paper cannot be opened, cannot be read, cannot be printed otherwise. Not even the tech guys and gurus in the library can help.
8.       If you miss a daily assignment, you may NOT make it up; if you FAIL TO TURN IN a major essay, your grade will result in a ZERO. You MUST complete all major assignments to pass the class.
9.       I expect students to demonstrate a professional demeanor in their attitude, manner and language, both written and spoken.  Turn your phones on “manner mode” if you must keep them on. Do not text, update your facebook status, shop on your tablet, or surf the web when I am teaching, when we are engaged in peer review or class discussion, or when students give a presentation. If you want to enjoy those activities, I will ask you to leave the class. This class asks only two hours and a forty minutes of your undivided attention each week. If that is too difficult, you should reconsider whether you are serious about this class.
10.   Please do not distract others who are working or paying attention in this class. I respect your right to fail this class, but not your right to infringe upon others who may want to pass. No one needs to be distracted.
11.   Active Participation is expected from every student in class and is worth ten percent of your final grade. It begins but does not end with attendance and includes the following:

Criteria
25 pts.
20 pts.
15 pts.
0-10 pts. & below
Attendance
Attends class regularly – with no more than 1 absence at mid-term; usually prompt & professional
Attends class regularly; no more than 1 absence at mid-term; professional & seldom tardy
Attends class regularly; may have more than 2 absences at this point; professional
Has missed more than 2 days and often presented as unprofessional
Level of Active Engagement
Proactive in class; contributes with ideas, questions, observations; answers questions; treats classmates & professor with courtesy
Contributes to class; frequently offers comments, answers & asks questions; treats classmates & professor with courtesy
Offers some observations and answers questions now and then or when called on; treats classmates & professor with courtesy
Rarely contributes to class by offering ideas or asking questions. primarily a non-participant. Does not add to class discussion, but sits silently.
Listening Skills
Listens when others talk; builds on others’ ideas; involves others in class by asking questions or seeking others’ responses
Listens then others talk; frequently builds on ideas of others.
Listens when  others talk, but does not respond to ideas
Often does not listen when others talk; often distracted by his/her own agenda—e.g., the internet, studying for another class, talking to peers, when inappropriate
Preparation
Almost always prepared for class, with assignments and required class materials
Usually prepared for class
Frequently prepared for class
Seldom prepared

The Writing Center is NOW OPEN; additional information will be forthcoming, but it is in your best interest to use the writing center to improve your writing

IMPORTANT DATES:

·       August 22: Last Day to Make Class Schedule Changes
·       September 2: Labor Day Holiday
·       October 16: Last Day to Withdraw from a Regular Session Class with a "W"
·       November 25-29: Thanksgiving Holidays
·       December 9: Regular Session Classes End
·       December 10-13: Final Exams for Regular Session Classes (refer to the Academic Calendar for the Exam Schedule)

Grading and Assignments:
Assignment
Percent
of Grade
Tentative Due Date
Essay # 1 – in-class over short prose and class discussion

10
09/03
Essay #2 – Prose – with research, including internal citation, works cited, in MLA format
10
09/30
Essay #3 –  Poetry
10
10/28
Essay #4 – Drama - Oedipus
20
11/18
Quiz 1 – literary terms and selected short stories
10
09/23
Quiz 2 – poetic techniques and terms and selected poems
10
10/21
Class Participation
10
12/09
FINAL ESSAY  – Literary Analysis over Doubt
20
TBA

Tentative Schedule by week—reading selections should be completed by the date announced in class (TBA = to be announced); do expect to ask and answer questions about each story:

08/19: print out and read the full syllabus for our next class; discussion of major points on syllabus today; discussion of critical/active reading; for second day of class: introduction to prose fiction and literary terms, using Walker, “The Flowers,” 82; Carver, “Popular Mechanics,” 276; “55 Miles to the Gas Pump,” 450  as examples; in addition to terms incorporated in text, emphasis will be placed on inference in interpretation

08/26: Discussion of two stories as well as strategies and techniques used within those stories: “A Rose for Emily,” 84 and “Killings,” 96.

09/02: Labor Day Holiday

09/03: Writing over short prose: Essay #1

09/09: Reading of two stories: “Good Country People,” 378; also 408-410 for day one; for the second day: “Revelation,” 392 and 432-447

09/16: Assignment and discussion of the literary research paper—continued both days

09/23: Day one: work on research essay; day two: Quiz #1 over terms, stories, and MLA format

09/30: Research essay due (Essay # 2)(additional work TBA)

10/07: Introduction to Poetry, 549-569 and 592; poems: “Those Winter Sundays,” 551; “The Fish,” 561; “Mountain Graveyard,” 564; “l(a,” 565; “Manners,” 593; terms found in text, 600-606; “Common Ground,” 606; if time allows, “The Diction and Tone in Four Love Poems,” 611-617

10/14: Imagery, Figures of Speech, Symbolism, Allegory, Irony; Sound and Rhythm in poetry, pages 636-756; poems TBA

10/21: day one: final discussion of poetry; day two: Quiz #2 over poetry and essay assigned

10/28: Essay #3 due; introduction to Greek drama and the study of Sophocles’ Oedipus

11/04: Oedipus study

11/11: Oedipus study

11/18: Essay #4, over Oedipus due; begin study of modern drama, Doubt

11/25:  THANKSGIVING HOLIDAYS

12/02: study of modern drama, Doubt

12/09: study of modern drama, Doubt

12/TBA: FINAL EXAM